Group :: Sistema/Fontes/True type
RPM: fonts-ttf-google-lato
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A versão atual: 2.015-alt1_4
Data da compilação: 23 outubro 2017, 15:12 ( 339.5 weeks ago )
Tamanho:: 5.59 Mb
Home page: http://www.latofonts.com/
Licença: OFL
Sumário: A sanserif typeface family
Descrição:
Lista dos contribuidores Lista dos rpms provida por esta srpm:
ACL:
Data da compilação: 23 outubro 2017, 15:12 ( 339.5 weeks ago )
Tamanho:: 5.59 Mb
Home page: http://www.latofonts.com/
Licença: OFL
Sumário: A sanserif typeface family
Descrição:
Lato is a sanserif typeface family designed in the Summer 2010 by Warsaw-based
designer A.ukasz Dziedzic ("Lato" means "Summer" in Polish). In December 2010 the
Lato family was published under the open-source Open Font License by his foundry
tyPoland, with support from Google.
When working on Lato, A.ukasz tried to carefully balance some potentially
conflicting priorities. He wanted to create a typeface that would seem quite
"transparent" when used in body text but would display some original treats when
used in larger sizes. He used classical proportions (particularly visible in the
uppercase) to give the letterforms familiar harmony and elegance. At the same
time, he created a sleek sanserif look, which makes evident the fact that Lato
was designed in 2010 - even though it does not follow any current trend.
The semi-rounded details of the letters give Lato a feeling of warmth, while the
strong structure provides stability and seriousness. "Male and female, serious
but friendly. With the feeling of the Summer," says A.ukasz.
Lato consists of nine weights (plus corresponding italics), including a
beautiful hairline style. It covers 2300+ glyphs per style and supports 100+
Latin-based languages, 50+ Cyrillic-based languages as well as Greek and IPA
phonetics.
Mantenedor currente: Igor Vlasenko designer A.ukasz Dziedzic ("Lato" means "Summer" in Polish). In December 2010 the
Lato family was published under the open-source Open Font License by his foundry
tyPoland, with support from Google.
When working on Lato, A.ukasz tried to carefully balance some potentially
conflicting priorities. He wanted to create a typeface that would seem quite
"transparent" when used in body text but would display some original treats when
used in larger sizes. He used classical proportions (particularly visible in the
uppercase) to give the letterforms familiar harmony and elegance. At the same
time, he created a sleek sanserif look, which makes evident the fact that Lato
was designed in 2010 - even though it does not follow any current trend.
The semi-rounded details of the letters give Lato a feeling of warmth, while the
strong structure provides stability and seriousness. "Male and female, serious
but friendly. With the feeling of the Summer," says A.ukasz.
Lato consists of nine weights (plus corresponding italics), including a
beautiful hairline style. It covers 2300+ glyphs per style and supports 100+
Latin-based languages, 50+ Cyrillic-based languages as well as Greek and IPA
phonetics.
Lista dos contribuidores Lista dos rpms provida por esta srpm:
- fonts-ttf-google-lato